AN OPEN LETTER TO DAVIS AURINI AND JORDAN OWEN UPON THE RELEASE OF THEIR FIRST SARKEESIAN EFFECT TEASER
Hey guys, big fan here.
Just watched your Sarkeesian Effect teaser video. An outstanding job! Even though this is, I know, a rough and unfinished trailer using raw footage from the first couple of days of shooting, it’s clear that this film – this epic journey into journalism, if I might coin a phrase here (you can totally use it!) – will more than live up to your earlier work.
Apparently inspired by Chubbs’ bold move, the Sarkeesian-hating, Anton LaVey-looking far-right nitwit Davis Aurini has junped on the bandwagon with his own blog post dissing Malala.
Is Anita Sarkeesian secretly trying to hypnotize us all with her videos? Like, literally hypnotize us, in the “now you’re a chicken” sense?
That’s the central insinuation of an inadvertently hilarious video by YouTube blabber Jordan Owen, one of the guys behind that Sarkeesian Effect “documentary” that’s allegedly in the process of being made.
Owen’s video isn’t a particularly new one – he put it out in January – but it’s been recently resurrected by the good folks at A Voice for Men, who reposted it earlier this week, saying that it offered “very thoughtful, erudite” criticism of Sarkeesian that’s “particularly enlightening and full of information a lot of people don’t know.”
So that’s a good enough excuse for me to talk about it. Also, did I mention that the video is hilarious?
I thought I’d give the Misogyny Theater treatment to our dear friend Davis Aurini, the woman-hating, Anton-LaVey-looking “filmmaker” who is busily raising money for the documentary about Anita Sarkeesian and the Social Justice Warrior Menace that he’s allegedly making with his friend Jordan Owen.
So what do you do when a fondly held fantasy crumbles? That’s a question that both Davis Aurini and Jordan Owen have had to ask themselves this past week, when something they both desperately hoped was true – that Anita Sarkeesian had lied about contacting the police about death threats she’d gotten on Twitter – was shown convincingly to be false.
[NOTE: The original video on Davis Aurini’s YouTube channel was taken down shortly after the post went up. So I’ve embedded the version that is, as of this moment, up on the director’s YouTube channel. I”d recommend that you download this for your permanent collection.]
Ok, so I’ve been working on a post about the latest ridiculous doings of our friends Davis Aurini and JordanOwen42 — the not-so-dynamic duo who’ve been desperately begging for money to make their Totally Serious documentary about how evil Anita Sarkeesian is. But then I watched this, and it’s too good not to post on its own.
This is Lust in the Time of Heartache, a short “philosophical” film written and produced, and just posted on teh Interwebs, by Mr. Aurini. I’m pretty sure it’s not supposed to be a comedy, but I was laughing at it from beginning to end.
There’s nothing about this film that’s not terrible and ridiculous, from the choice of fonts in the title sequence to the names of the characters as revealed in the closing credits.
Where even to start in criticizing this mess? The, er, “acting?” The pretentious, pseudo-philosophical voiceover, delivered by Mr. Aurini himself? The shrill, frantic — yet somehow also meandering — music that plays almost continuously from beginning to end? The ludicrously unconvincing fight choreography? The ill-fitting suits? The evo psych? The dawning recognition that this whole thing is meant to depict how Aurini sees himself in our “fallen” world?
The fact that this ten minute film credits a “parkour consultant?”
I’m going to borrow a couple of lines from Pauline Kael’s famous review of the legendarily stinky 1970 film Song of Norway because they offer a pretty fair assessment of this one as well:
The movie is of an unbelievable badness. … You can’t get angry at something this stupefying; it seems to have been made by trolls.
She means “under the bridge”-style trolls, not the modern kind.
Oh, and the sound is awful, too. NOTE: Dialogue is supposed to be louder than the background noises.
Anyway, just watch it. It’s only ten minutes long. And definitely stay for the final credits. You’ll see why.
But hey, don’t take my word for it. Read this glowing review, from some dude on YouTube:
Excellent writing that encompasses the transitions from one cinematic style to the next. At first I was concentrating on the technical problems and lackluster performances, however, after about 5 mins in, the pacing kicked up a notch. Well done, sir.