The so-called pickup artists who inhabit a large portion of this thing called the manosphere are a strange bunch: They devote much of their life to figuring out ways to appeal to women they don’t like or respect.
Apparently, for most of those who actually are out there “picking up” women and not just boasting about imaginary conquests on the internet, the sex is good enough (for them at least) to make their otherwise joyless endeavor worthwhile for them. And if the sex itself isn’t that great, well, at least they get to brag to their internet friends about how they conned some hot “slut” into having sex with them.
But what happens when the sex begins to lose its luster?
Camille Paglia: “Young women do not see the animal eyes glowing at them in the dark.”
That powerful and obnoxious odor of bullshit you may have noticed in the air? That’s just Camille Paglia, evidently aiming for a bit of a comeback.
One of the first-generation of antifeminist feminists who came to public attention in the 1990s, Paglia is less a scholar than an intellectual entertainer, astonishingly adept at generating controversy by packaging rather conventionally reactionary ideas as bold contrarianism. And then getting everyone to talk about her rather than the issues at hand.
Red Pillers agree: Emma Watson isn’t all that, anyway.
Never doubt the ingenuity of the internet’s misogynists in coming up with new reasons to hate a woman they’re already inclined to hate.
Actress and geek icon Emma Watson has been near the top of the new Misogyny hate list all this week, in the wake of the speech she gave at the UN gently praising feminism and suggesting that traditional gender roles aren’t always such a good thing for dudes either. She’s made this point before, declaring in a Tweet last month that
Heartiste – real name James Wiedmann – is a proudly racist, woman-hating “pickup artist” guru known for advocating manipulative and often quite abusive “game” techniques to give men the upper hand in relationships and in the dating market. These run the gamut from emotional abuse – what he calls “dread game,” an elaborate portfolio of gaslighting ploys to keep women feeling insecure and off-balance – to straightforward physical abuse – slapping women “when necessary” to assert “alpha male” dominance.
Now he’s suggesting that wannabe lotharios borrow some tips on how to “game” women from the Duluth Power and Control Wheel, a widely used violence intervention tool designed to fight abuse, not provide a blueprint for it.
The Duluth Wheel highlights some of the most prevalent kinds of abusive behavior. Heartiste mines its descriptions of abuse for dating tips, claiming to find in it “a few curious nuggets of anti-feminist truth about relationships and how to keep them going.”
In his recent post, Heartiste goes through some of the descriptions of abusive behavior on the Duluth Wheel – and recasts them as handy tools for would-be “alpha males.”
So what do you do when a fondly held fantasy crumbles? That’s a question that both Davis Aurini and Jordan Owen have had to ask themselves this past week, when something they both desperately hoped was true – that Anita Sarkeesian had lied about contacting the police about death threats she’d gotten on Twitter – was shown convincingly to be false.
[NOTE: The original video on Davis Aurini’s YouTube channel was taken down shortly after the post went up. So I’ve embedded the version that is, as of this moment, up on the director’s YouTube channel. I”d recommend that you download this for your permanent collection.]
Ok, so I’ve been working on a post about the latest ridiculous doings of our friends Davis Aurini and JordanOwen42 — the not-so-dynamic duo who’ve been desperately begging for money to make their Totally Serious documentary about how evil Anita Sarkeesian is. But then I watched this, and it’s too good not to post on its own.
This is Lust in the Time of Heartache, a short “philosophical” film written and produced, and just posted on teh Interwebs, by Mr. Aurini. I’m pretty sure it’s not supposed to be a comedy, but I was laughing at it from beginning to end.
There’s nothing about this film that’s not terrible and ridiculous, from the choice of fonts in the title sequence to the names of the characters as revealed in the closing credits.
Where even to start in criticizing this mess? The, er, “acting?” The pretentious, pseudo-philosophical voiceover, delivered by Mr. Aurini himself? The shrill, frantic — yet somehow also meandering — music that plays almost continuously from beginning to end? The ludicrously unconvincing fight choreography? The ill-fitting suits? The evo psych? The dawning recognition that this whole thing is meant to depict how Aurini sees himself in our “fallen” world?
The fact that this ten minute film credits a “parkour consultant?”
I’m going to borrow a couple of lines from Pauline Kael’s famous review of the legendarily stinky 1970 film Song of Norway because they offer a pretty fair assessment of this one as well:
The movie is of an unbelievable badness. … You can’t get angry at something this stupefying; it seems to have been made by trolls.
She means “under the bridge”-style trolls, not the modern kind.
Oh, and the sound is awful, too. NOTE: Dialogue is supposed to be louder than the background noises.
Anyway, just watch it. It’s only ten minutes long. And definitely stay for the final credits. You’ll see why.
But hey, don’t take my word for it. Read this glowing review, from some dude on YouTube:
Excellent writing that encompasses the transitions from one cinematic style to the next. At first I was concentrating on the technical problems and lackluster performances, however, after about 5 mins in, the pacing kicked up a notch. Well done, sir.
A little realization hit me while I was watching videos about #GamerGate recently. MRAs and #GamerGaters really seem to enjoy depicting themselves as cartoon villains. Above, the skull-in-a-Koolaid-pitcher mascot of MRA videoblogger Bane666au.
Below, a screencap from a video by Mundane Matt, one of the movers and shakers behind the whole #GamerGate thing.
The dogmatic duo behind the project — lady hating YouTube blabbers jordanowen42 and Davis Aurini — are still having a bit of trouble raising the necessary funds (so much so that Aurini wrote an angry, rambling blog post aimed at those who think he and his pal are too inept and biased to make a decent film).
But a new video — put together by Kav P and a friend, and posted above — reveals that the dogmatic duo has found some surprising new allies.
Bloomfield, for her part, is suggesting that it might have to do with some cakes she was baking. No, really:
So it seems that my account on Twitter has been suspended. I find that odd since most of my most recent tweets have been about baking a wedding cake. Not exactly controversial. I suspect some sort of automatic response was triggered when a lot of people simultaneously reported me for abuse but I have no idea.
Naturally, Bloomfield’s comrades at A Voice for Men have spun this as “Judgy Bitch was censored for a cake!”
I don’t usually post raw videos from the insufferable assholes I write about on this site because, well, they’re insufferable assholes, and listening to them smugly opine about shit they’re completely ignorant about is generally about as entertaining as, you know, GirlWritesWhat videos. (I know, that’s a bit circular, but I really couldn’t come up with anything more insufferable than that.)
Anyhoo, I’ve broken my rule and posted this video because the two guys who made this video — the would-be filmmaking duo of jordanowen42 and Davis Aurini — are so over-the-top in their insufferable assholism that it’s actually kind of perversely charming.
You see, these two woman-hating YouTube blabbers — the first a belligerent doofus whose apartment is nearly as unkempt as mine, the other a sort of PUA version of Anton LaVey — are pitching what they claim will be an important new documentary exposing the evil “Social Justice Warrior” agenda of evil women and traitor men like Anita Sarkeesian, Zoe Quinn, and, well, I can’t remember the names of any of the men. It’s called The Sarkeesian Effect. And they want your money to fund it.
Their promised “feature-length documentary” will be a powerful work of investigative journalism that will give a voice to the voiceless — to the “silent majority” of, well, angry white dudes who spend whatever time they don’t spend playing video games posting obnoxious and abusive comments about Anita Sarkeesian and Zoe Quinn to YouTube and Reddit and eleven zillion other websites that cater to them.
In other words, this is the loudest “silent majority” I’ve ever run across.
But these are guys who love to pretend that their bold thoughts are being silenced, and PUA Anton LaVey Davis Aurini happily panders to their persecution complex:
Don’t let these people silence us. Your contribution will be a defiant strike against the degeneration and corruption that is going on in this world.
The word “degeneration” helps remind us that Aurini considers himself a part of the neo-Nazi-lite “Dark Enlightenment.”
Anyway, they argue that you should send them lots of money, because PUA Anton LaVey’s suits can’t be cheap you’ll be striking a blow for every dude who’s ever called Anita Sarkeesian a “whore” in a YouTube comment. Well, they don’t literally put it that way, but, you know, come on. That’s what they mean.
And hey, who wouldn’t trust this dude with their hard-earned cash?
Send me your money! Heh heh heh heh heh.
I found this video hilarious from start to finish. Stick with it at least until, a little after 6 minutes in, PUA Anton LaVey Aurini lights up his second cigarette, showing what a devil-may-care attitude he has by mumbling his lines with a cigarette in his mouth as he fiddles with his lighter.
Yep, that’s the kind of quality investigative journalism you can expect from these two.
