Filmmaker Cassie Jaye seems to have developed a weird affinity for bigots.
First, she cozied up to some of the most hateful figures in the Men’s Rights movement during the filming of her documentary The Red Pill.
Then, when her funding for the film ran out, she happily accepted financial assistance not only from the actual subjects of the film but also from a motley assortment of far-right ideologues — among them a notorious quasi-journalist who was famously tossed off of Twitter after his fans barraged Ghostbusters star Leslie Jones with racist abuse, and a delusional Trump superfan who literally believes he gave Hillary Clinton the flu with his mind. (After a big donation to Jaye, he got himself an associate producer credit on her film.)
Now she’s trying her best to drum up interest in her film, which has barely drawn any notice at all outside the overlapping spheres of alt-right lady haters and MRAs since it premiered at a New York theater earlier this month.
While The Red Pill got a glowing, if rambling, “review” from new pal/volunteer fundraiser Milo Yiannopoulos at Breitbart, and a somewhat less-enthusiastic thumbs-up from Cathy Young at the right-wing internet tabloid Heat Street, the two real film reviewers who’ve bothered to give it a look have panned it.
Katie Walsh at the Los Angeles Times took issue with the film’s “uncritical, lopsided” argument, complaining that Jaye “twists herself in knots to justify the movement’s misogynist rhetoric.” The Village Voice’s Alan Scherstuhl dismissed Jaye as an inept “propagandist” and warned potential viewers that, as the headline to his piece put it, “You Can’t Unsee ‘The Red Pill,’ the Documentary About a Filmmaker Who Learns to Love MRAs.” (His review of what he described as an “agonizing” film caused much wailing and gnashing of teeth amongst the MRA crowd.)
With little hope of attracting positive attention from film critics, and apparently desperate for any publicity she could get, Jaye agreed to appear on the podcast of an internet-famous bigot who has been described by one critic, not without reason, as “THE MOST WARPED USELESS PEICE OF SH*T THAT I HAVE EVER HAD THE DISPLEASURE TO ENCOUNTER [on the] INTERNET OR ELSEWHERE.”
I am talking, of course, about the rape-excusing, abuse-encouraging, lady-hating, gay-baiting white supremacist Matt Forney — he’s the one on the left in the photo below.
https://twitter.com/basedmattforney/status/787198238575120384
She didn’t just give Forney a couple of minutes of her time; she sat down with him for roughly three-quarters of an hour for his podcast “This Alt-Right Life.” It’s a singularly unedifying discussion. At one point she mentions that she used to get into arguments with her boyfriend every month about nothing, something she now jokingly blames not on PMS but on her (former) feminism.
Badump-tsssh!
She also expressed sympathy when Forney mentioned that he himself had been the victim of a “false” rape accusation. (Imagine that, the author of a blog post titled “Why Girls Rarely Mean No When They Say No” being accused of rape!)
Not that long ago, Jaye was by all appearances a staunch opponent of pretty much everything Forney and his alt-right pals stand for.
In 2012, she released a documentary titled “The Right to Love,” which, according to its description on IMDb, is the portrait of a “Californian married gay couple and their two adopted children,” fighting against the forces of “discrimination, ignorance and hate” who would deny them their right to marry and raise children.
Now she’s appearing on the podcast of a guy who is a virtual embodiment of this ignorance and hate.
It’s not as if evidence of Forney’s despicable views is hard to find, and not just in the WHTM archives. The name of his podcast contains the phrase “alt-right.” In the list of “popular posts” highlighted in the sidebar of his blog one finds such lovely titles as “How to Crush a Girl’s Self-Esteem” and “Why Fat Girls Don’t Deserve to Be Loved.” (Neither title is meant ironically.)
And then there is the endless stream of racist, misogynist and homophobic abuse that is his Twitter account. Some highlights from the last several days:
https://twitter.com/basedmattforney/status/790064680907792386
https://twitter.com/basedmattforney/status/790364983171354625
https://twitter.com/basedmattforney/status/790367816360857601
https://twitter.com/basedmattforney/status/790050589598162944
https://twitter.com/basedmattforney/status/789976518596362240
https://twitter.com/basedmattforney/status/789633067791122432
That last tweet — a reference to Chilean dictator Augusto Pinochet’s practice of murdering people by throwing them from helicopters — is technically a death threat, aimed at a National Review writer who has gotten many such threats from Forney’s colleagues in the alt-right, including photoshopped images of his 7-year-old daughter being gassed in a Nazi death camp.
Are these really the sorts of people Jaye wants to align herself with?
In his “review” of The Red Pill, Milo claimed, without evidence, that a virtual army of feminists was “scrambling to stop Cassie Jaye” and her film. In fact, feminists have mostly ignored The Red Pill. And the person who has done the most to damage Jaye’s credibility is, well, Jaye herself.
But guys. She’s a libbral FEMINSISTS!!!
…Not anymore! She’s been cured by the power of exposure to red pillian men! (snork!)
Side note: Speaking of Milo Yiannopoulos…
I was driving north on I95 in VA on Oct 18 and what did I see just past Quantico? A black bus with the word “Milo” painted on the back. Pulling along side I saw the words “The Dangerous Fagot Tour” with the smiling face of the man himself. That’s about as close to him as I ever want to get.
We now return you to the regularly scheduled blog comments.
Lackluster sigh aside, please tell me the program or filter you use for your photos omg.
Well at least JudgyBitch gets to have some company in the form of Cassie Jaye, I guess.
She takes the word “sell-out” to new heights – or lows…
The attention she gets now must be intoxicating but the hangover is going to be epic.
D3dfr3d, go to LunaPic and try out their “art” filters, I forget the name of the one I used. Then I ran it through another filter on Phixr for the color.
Weird. Forney looks like he’s afraid she’s going to give him cooties. He’s even doing the hover-hand. You’d think he’d be happy to be standing that close to an attractive, fertile Aryan woman.
I hear that Cassie Jaye attended the Leni Riefenstahl School of Filmmaking.
And I know for a fact that she has an award from the Cannes Film Festival. No, not the one you’re thinking of. Some other Cannes Film Festival. Ms. Jaye informed us many months ago that “Cannes is a place.” Mind blown.
Yes
It’s good to see that we finally have an answer to the old question of what ethical journalism actually looks like.
I thought the movie was great and I think Cassie Jaye is Great. Clearly you have an agenda to smear her. The truth will set you free!
@LindsayIrene: Yeah, he looks really unimpressed in that photo, and he’s giving her the weird hover arm.
Did I ever say Matt Forget looks like some sort of adult baby? And also that picture just makes him look so dead inside. I think he really is, so much hatred can destroy a person from the inside out.
That’s the only form of pity I have for him and his ilk, unlike Cassie Jaye. I bet she was just a lukewarm white feminist too. I don’t see how a seemingly reasonable person can get sucked into this without having an underpinning of shitty morals.
Once and for all I can say that there is no doubt- she is a despicable human being utterly allied with other despicable human beings. No more leeway.
She’s a sellout and a bigot.
I hope one day she’ll realise what she’s done before she does something they don’t like, I still of course don’t wish their bile on her.
She had a promising career once, didn’t she? That’s sadly (although not undeservedly) dead in the water for sure.
@authorialAlchemy
I’m not sure she was ever a feminist. Don’t know where she got the idea she was from.
Alt-righters on the new Ghostbusters boxoffice: “hahaha of course the film didn’t make money, nobody wants to see feminazi propaganda with shitty production, lol the market has spoken!”
Alt-righters on The Red Pill boxoffice: “the only explanation for this film bombing with a small release is the worldwide feminazi conspiracy to keep down men’s rights, the system is rigged!”
Jaye apparently throwing out everything for which she once stood, and getting nothing in return but a little attention from human garbage, reminds me of the moment in A MAN FOR ALL SEASONS in which Thomas More learns that his chief accuser has been given a government post in Wales: “For Wales? Why, Richard, it profits a man nothing to give his soul for the whole world. But for Wales?”
@LindsayIrene & Paradoxy
I thought hover-hand was done to avoid assault charges since they honestly don’t understand how consent works so they think the only solution is never to touch a woman at all.
This is just sad. It’s like watching someone smilingly strap meat to themselves and jump in a piranha tank.
Oh, Cassie.
Cassie, Cassie, Cassie.
Didn’t your parental units teach you that old adage about lying down with dogs? Because these are some mangy curs right here…
I assume the film is at least technically competent? I mean, you don’t get to win an award at the Cannes (No, Not That One) Film Festival without knowing the keyboard shortcuts.
Matt Forney looks so unhappy in that photo. And he seems very unhappy in his tweets. Could it be that he is miserable all the time because he has nothing in his life but his hate?
I’m only surprised by the fact that i’m not surprised.