Over on The Counter-Feminist, the self-proclaimed Counter-Feminist Agent of Change (CFAC) known as Fidelbogen has written a very strange fan letter to Justin Bieber. The teen heartthrob and lesbian-doppleganger, you see, has written a song about the woman who falsely accused him of fathering a child, which makes Bieber practically an MRA.
Poor Fidelbogen is clearly having a hard time dealing with his conflicted feelings about Bieber. He’s overjoyed that Bieber is taking on an evil paternity fraudress, but he’s clearly afraid that expressing too much enthusiasm about the Beebs will make him look, I don’t know, sort of girly? What else could explain all the hemming and hawing in his account of the Beebs’ new song?
Mind you, not that I give two spits about the young pop singer Justin Bieber, but the significance of certain events does not escape me. The lad is quite popular among people of a certain generational subculture, and he was recently the target of attempted paternity fraud. The attempt failed, and Justin memorialized the experience in a song … .
The Fides goes on to deliver a standard-issue anti-feminist minirant:
What’s this got to do with feminism, you ask? Well, feminism has empowered women to do many, many things — especially things that would hurt or exploit males. Likewise, feminist propaganda and legal activism has generated a cultural climate in which the “deadbeat dad” trope has risen to special prominence — aye, to a point of moral hysteria! Finally, feminist complicity with the paternity fraud industry is written in blazing letters by anybody who cares to look.
And then it’s back to the glory of Bieber:
Justin Bieber’s song might just hammer home, in the minds of certain male youngsters, some of the cruel facts of male existence in today’s world. And that can only be to the political benefit of the non-feminist revolution. So, on with it!
I don’t know. When I feel the urge to listen to music about paternity fraud, I tend to go with the classics:
Try this one, too, if you like Ukes: