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>Rapist babies and internet threats

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How the hell did I get mixed up in all this?

The manosphere is in an uproar about a public service TV ad from an anti-violence group that portrays a baby boy as a future rapist. Some MRAs are attempting to refute the ad’s implication that improperly socialized men are prone to violence by posting and upvoting … violent comments and veiled threats online. And apparently some non-veiled death threats as well.

A few days ago, you see, W.F. Price, head honcho at The Spearhead, wrote a critical piece about the endeavors of one Josh Jasper to draw attention to sexism in Super Bowl commercials; Price also pointed out that Jasper, CEO of the Riverview Center, a nonprofit serving domestic violence and sexual assault victims in Illinois and Iowa, had put out an earlier commercial that, in Price’s words, “impl[ied] that baby boys are all potential rapists.”

Despite the source, that’s actually a more or less accurate description of the ad, which depicts a happy little baby boy as a future rapist. I’m just not quite sure why that’s so objectionable; after all, every baby, male or female, is a bundle of possibilities, some good, some bad. (Hitler was once a happy, gurgling baby.) The point of the ad is that parents can have an effect on how their kids turn out; if you raise your son to be a violent, misogynist asshole, he may well end up a rapist.

As much as I agree with this basic sentiment, I’m not going to defend the ad. It’s terrible. Generally, I’m not a fan of using babies to make political points — it’s trite and manipulative, to begin with. And in this case, it’s worse than that: portraying a baby as a future rapist seems rather hamfisted, given that babies are often victims of abuse themselves. 

Judge for yourself; here’s the ad.

All this said, the flaws of the “rapist baby” ad in no way excuse the response it’s gotten from some of the more hotheaded in the Men’s Rights Movement and the manosphere in general. On his website, Peter Nolan declares that the ad “promote[s] hatred of male babies”; on The Spearhead,  Poester99 goes even further, accusing Riverview Center of “promoting violence against baby boys.” Which is, of course, completely absurd. (Even besides that, as Jasper has pointed out on his blog, the Riverview Center serves male victims as well as female ones.) It’s hard to know if the people spouting this nonsense honestly believe it, or if they are using the baby in the ad even more cynically and opportunistically than Jasper is.

Unfortunately, the MRA reaction has gone well beyond simple rhetorical overkill. A number of comments on The Spearhead, many of them with dozens of upvotes, are essentially threats — some vague, some not-so-vague — against Jasper himself. duke writes that:

Mangina creeps like Josh Jasper should suffer the same fate as Nazi sympathizers after WWII-taken out and shot after a five minute trial.

Avenger adds:

If men really were as violent as he claims they would have shut him up long ago. One good beating and this mangina would never open his mouth again.

Firepower, meanwhile, goes after Jasper’s … first name:

So long as males tolerate sissified males named “Josh” – pissing even on our SuperBowl – these gender traitors will only feel encouraged to increase their anti-male slurs.

Over on A Voice For Men, meanwhile, MRA elder Paul Elam insinuates that Jasper, far from being a sissy,  is a violent “alpha puke” — and calls on his fans to dig up dirt on him:

This man deserves consequences for his actions.

Some history on Josh is known. We know he was a marine and we also know that he was a Los Angeles police officer. Two areas for sure where the capacity for violence is a plus. Add to that the fact that he was on a Domestic Violence task force and this bad apple starts to stink a little more. …

Anyone want to take any bets on whether this alpha puke ever busted heads as a cop, simply because he could? It leaves one to wonder – especially given the intellectual violence he is so obviously willing to inflict on male children – just what sort of skeletons are in this douche bag’s closet.

If they are there, I would love to get my hands on them and rattle them together for the world to hear.

And on Men-Factor, antifeminist blogger ScareCrow (who used to regularly post comments here) posts the email addresses of The Riverview Center’s mostly female board of directors, urging readers to “vent your anger” on this “bitch-hive,” adding “I aim to destroy it.”

I don’t have the patience or the stomach to sort through the comments on the YouTube page for the ad to see what other vile shit has been posted there.

I can only hope that most of this violent language is just standard internet tough guy  talk, and won’t result in real violence in the real world. Even if you believe that Jasper’s ad commits a sort of rhetorical violence against male babies — which I think is a ridiculous reading of the admittedly idiotic ad —  it does not justify actual violence against anybody.

EDIT: I should have let this one sit a little before putting it up. I’ve made various changes to strengthen and clarify my argument.

If you enjoyed this post, would you kindly* use the “Share This” or one of the other buttons below to share it on Twitter, Facebook, Reddit, or wherever else you want. I appreciate it.

*Yes, that was a Bioshock reference.

Paul Elam, you’re no Jonathan Swift

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Paul Elam, in context.

Yesterday, I posted a set of pretty awful comments from Paul Elam’s A Voice For Men blog, one of which included this lovely line:

I am so fucking tired of this shit, that I really wouldn’t mind shooting a bitch dead in the face.

While even the mildest critiques of MRA dogma tend to get downvoted into oblivion on Paul’s site — see this one, for example (you’ll need to click another link there to even see it) — the “shoot a bitch” comment got more upvotes than down. Which tells you something about Paul’s audience.

Paul has now taken the offending comment down, saying that he hadn’t noticed it before, because he was on vacation. I’ll take his word for this. His explanation for taking it down? “[T]he bottom line,” he writes, “is that I am vehemently against violence.”

Given that Paul has written several posts containing similarly over-the-top fantasies of violence against women, and another recent post mocking female rape victims, this explanation rather strains credulity.

His explanation for these previous posts? Again, back to his post today:

I have satirized violence several times, and it has of course been taken out of context and even drawn criticism from MRA’s and sympathizers.  …  If people don’t recognize satire or humor then let ‘em stew.

So he’s making three claims about his previous posts containing fantasies of violence towards women: that they’re “satire,” that they’re “humor,” and that the violent quotes have been “taken out of context.”

So let’s deal with all of those claims in regard to Paul’s most notorious “satirical” post. I’ll start with humor.

Here is an example of humor, from comedian Emo Philips:

Always remember the last words of my grandfather, who said: “A truck!”

What’s funny about this — at least the first time you hear it — is that Philips has led us to believe one thing (that we’re going to hear some words of wisdom from his grandfather), but instead flips the script, challenging our expectations by delivering instead the last thing his grandfather shouted before being hit by a truck. (Sorry, explanations of humor are almost always completely unfunny.)

Here is an example of something that is not humor:

Let’s punch some bitches until blood spurts from their noses!

That second example might seem a bit strange. It’s not clever. There’s no twist, no challenging of our assumptions. There’s no incongruity. It’s really just a violent fantasy. Why would anyone claim that it’s “humor,” or satirical?

Well, that’s essentially what Paul Elam has been doing. That quote isn’t from him — I made it up as an example — but it’s essentially a condensed version of Paul’s allegedly “humorous” remarks about domestic violence:. Here’s Paul, in his own words, in a post I’ve criticized before:

In the name of equality and fairness, I am proclaiming October to be Bash a Violent Bitch Month.

I’d like to make it the objective for the remainder of this month, and all the Octobers that follow, for men who are being attacked and physically abused by women – to beat the living shit out of them. I don’t mean subdue them, or deliver an open handed pop on the face to get them to settle down. I mean literally to grab them by the hair and smack their face against the wall till the smugness of beating on someone because you know they won’t fight back drains from their nose with a few million red corpuscles.

And then make them clean up the mess.

Ba-dump TSSH! Not even an instant rimshot makes that funny. There’s no clever twist; it’s just a fantasy about beating and humiliating women.

Is it unfair to quote this passage “out of context?” Here’s a bit more context: those words ran next to a photo of a woman with a black eye, with the caption: “Maybe she DID have it coming.” (See the picture at top right, which is a screenshot from Paul’s site.)

But I suspect that’s not the “context” Elam is talking about. He seems to be referring instead to this, from later in his post:

Now, am I serious about this?

No.

That seems clear. And in one sense this is true: he’s not literally calling for men to organize a “Bash a Violent Bitch Month.”

But let’s look at the comment I just quoted in context, shall we? (Emphasis added.)

Now, am I serious about this?

No. Not because it’s wrong. It’s not wrong. Every one should have the right to defend themselves. …

In that light, every one of those women at Jezebel and millions of others across the western world are as deserving of a righteous ass kicking as any human being can be. But it isn’t worth the time behind bars or the abuse of anger management training that men must endure if they are uppity enough to defend themselves from female attackers.

In other words, he’s not backing off from his advocacy of violence against “violent bitches” because he thinks that this violence is wrong; he’s backing off for purely pragmatic reasons — if you actually “bash a violent bitch” it may get you arrested.

Now, about the question of satire. Satire is defined as “the use of irony, sarcasm, ridicule, or the like, in exposing, denouncing, or deriding vice, folly, etc.” When Jonathan Swift wrote his famous essay seemingly calling for the Irish to eat their own children, it was satire because he was being bitterly ironic: he didn’t really think anyone should be eating babies, and his essay was in fact intended to mock British authorities and callous attitudes towards the Irish.

By contrast, there’s no irony in Paul’s post: he actually believes that “violent bitches” deserve “a righteous ass kicking,” and he states this quite explicitly.

Since Paul wrote that post, he’s written others that reveal a pretty callous view towards female victims of violence. In one post, which I discuss here, he mocks and blames women for the crime of getting raped, suggesting that women who get drunk and make out with guys are “freaking begging” to be raped, “[d]amn near demanding it”:

[T]here are a lot of women who get pummeled and pumped because they are stupid (and often arrogant) enough to walk though life with the equivalent of a I’M A STUPID, CONNIVING BITCH – PLEASE RAPE ME neon sign glowing above their empty little narcissistic heads.

You can find those quotes, in all their glorious context here.

And in a more recent piece, Paul announces that he doesn’t really care all that much about rape:

I lack any desire to react to rape, especially as currently defined, with the same vengeful repugnance that I would other crimes generally considered heinous.

The fact is that I care about a lot of things more than I care about rape.

He goes on to suggest a curious moral equivalency between women and rapists, saying that he views “the perceived struggles of women with all the concern I have for the struggles of real rapists in the criminal justice system.”

Now, again, there is context here: in the rest of the piece he argues, not very effectively, that rape has been defined in crazy ways by the “hegemonic [feminist] elite,” that “so often nothing more than accusation is needed in order to secure a conviction.” And so on and so forth. You can read the whole thing here. Still, none of this “context” alters the noxious attitudes he’s shown towards women time and time again.

Paul, you’re a terrible comedian, and an even worse satirist. But as a human being?

You’re pretty fucking awful at that too.

>The Domestic Violence Debate has begun

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EDIT: My first response is up, here.

As I’ve mentioned a couple of times, MRA Paul Elam and I are debating Domestic Violence on his web site A Voice for Men. Elam’s first post has just gone up, a wrongheaded and rather underwhelming start to the debate; my response will appear in a day or two. (I will post a pointer here when it does.)

Instead of allowing open debate on his website, Elam generally segregates those he classifies as, er, “feminists and manginas” on a separate page. (I know, right?) But he says he’s suspended that rule for this debate, so I urge anyone here in that particular demographic to go over there and start picking apart his errors. (Paul and I have agreed to keep out of the comments section for the debate.)
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>Paul Elam’s Evasive Pseudo-Eloquence

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Edward Bulwer-Lytton

patron saint of terrible,

terrible writers

There are all kinds of bad writers. Some can’t string simple sentences together; others spew thick clouds of incomprehensible jargon. But in some ways the most annoying bad writers of all are those who are bad writers because they think they are great writers.

Paul Elam is one of those. An influential blogger, at least within the marginal mini-world of the Men’s Rights Movement, Elam writes polemics for The Spearhead and his own web site, A Voice For Men. His topics range from the evils of chivalry to “Death Row and The Pussy Pass.” And they’re full of sentences like this:

[G]ender feminism is not the light of reason, but much more like a burning cross, issuing a grotesque, dystopian glow; a suitable backlight for an Orwellian nightmare.

Or this, from an essay about the dilemmas of young men today:

[T]hey are suffering from the loss of things never held, from things missing but never known. They are, quite literally, a lost generation of the walking wounded, wandering blindly from a battlefield on which they never knew they stood.

Yeah, except that the only battlefields most of these guys have seen have been the multiplayer maps of Halo or Modern Warfare 2. 

As you may have already gathered, Elam’s flights of literary fancy are invariably hokey and melodramatic. And they’re essentially meaningless. They say absolutely nothing, while giving the impression that they say an awful lot. Indeed, when you try to nail down the meaning of any of his not-so-fine phrases, they simply fall apart.

In the first quote above, he attempts to smoosh together the KKK and the world of George Orwell’s 1984 into some strange symbol of feminist awfulness. Huh? The KKK is a vigilante group; the villain in 1984 was a totalitarian government. They’re both bad, to be sure, but different kinds of bad. Big Brother wasn’t a Grand Kleagle. It’s a sloppy mix of metaphors that represents some pretty sloppy thinking.

So why am I picking on Elam’s writing style? Shouldn’t I be focusing on the substance of his argument? My point is that you can’t separate the two. Elam’s style is designed to conceal his lack of substance.

Ironically, the person who provides the most insight into what Elam is trying to accomplish with his purportedly elevated prose is none other than Orwell. In his classic essay on “Politics and the English Language,” Orwell took a look at some typically terrible political prose of his day. The two qualities that united all his examples in awfulness were a certain “staleness of imagery” and a “lack of precision.” His analysis fits Elam’s essays to a T:

As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning and more of phrases tacked together like the sections of a prefabricated hen-house.

George Orwell, being Orwellian

And why is this? Orwell concluded that the airy abstractions, the mixed metaphors, the grand prefabricated phrases all worked together to conceal the true meanings of what was being said, to offer “a defence of the indefensible,” whether one was a Communist defending the Russian purges or an American politician defending the atom bomb.

With Elam, though, we see something slightly different. He’s not defending the indefensible so much as trying to disguise the sheer insubstantiality of some of his central arguments, which would be simply laughable if he hadn’t gussied them up with ponderously “fancy” prose. Consider this passage, describing Elam’s thoughts after discovering that his spellchecker didn’t recognize the word “misandry”:

A culture that refuses to acknowledge that a perfectly legitimate word exists on paper, is in effect denying its existence to the collective consciousness. … It is like trying to describe a cloud without being able to use the word itself- to a world that does not believe in clouds. We are limited to talking around the subject; we present our meanings in metaphors and similes and anecdotes.

Reduced to its essence, though, Elam’s claim here is simply absurd: Because “misandry” isn’t a common enough term to include in his computer’s dictionary, our culture has no way of expressing the notion that certain people and ideas are man hating.

Really, Paul? We’re “limited to talking around the subject?” I really haven’t noticed much of that. The term “man-hating” gets the idea across fairly bluntly, and has long been popular with a certain sort of man, often in conjunction with words like “bitch,” “cunt,” or “feminazi.”

In the crowd you hang with, I imagine you hear this kind of talk all the time. Surely you’ve noticed it.

Elam doesn’t always write in such a stilted, evasive style. Sometimes he butches it up a bit, launching crude tirades against “mangina morons,” or telling a woman who was sexually harassed as a tween and an early teen that “guess what, cupcake, when you start growing tits, men start looking at them.” In a recent piece about the impending execution of a female murder-plotter with an IQ of 72, he wrote of his desire to “throw some burgers on the grill, crack open a few cold ones, and watch them ice this murdering bitch on pay-per-view.” (This despite the fact that he actually opposes the death penalty.)

Stick with this style, Paul. It may not be pretty, but at least it’s true to your nature. You’re not a grand philosopher; you’re not a literary lion. There is nothing smart or sophisticated about anything you ever write or think. Basically, you’re a dick. So write like one.

Misogynists go through all 5 stages of grief upon learning that Lindy West has been hired by GQ

A bloo bloo bloo

A bloo bloo bloo

So earlier this month the feminist writer and serial-misogynist-annoyer Lindy West announced that she was leaving her job at Jezebel “to work on personal projects. (I am also available for freelance. Hire me!)”

I took this to mean that she was leaving her job at Jezebel to work on personal projects and do freelance work, because this is something that writers, especially talented writers with a lot of options, sometimes do.

Over in the Manosphere, though, the fellas had a rather different interpretation, which went something like this HA HA THE FAT SLUT GOT FIRED HER CAREER IS OVER WE WON YIPPEEEEEEEEE!!!

Or, as the always charming Roosh Valizadeh put it, in a comment on his site’s forums:

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JordanOwen42 on the Couch: Two wannabe Sarkeesian muckrakers react to the horrible news that she’s been telling the truth

JordanOwen43 tries the talking cure

JordanOwen42 tries the talking cure

So what do you do when a fondly held fantasy crumbles? That’s a question that both Davis Aurini and Jordan Owen have had to ask themselves this past week, when something they both desperately hoped was true – that Anita Sarkeesian had lied about contacting the police about death threats she’d gotten on Twitter – was shown convincingly to be false.

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Anton LaVey impersonator Davis Aurini makes a “film,” and it’s worse than you could possibly imagine

[NOTE: The original video on Davis Aurini's YouTube channel was taken down shortly after the post went up. So I've embedded the version that is, as of this moment, up on the director's YouTube channel. I''d recommend that you download this for your permanent collection.]

Ok, so I’ve been working on a post about the latest ridiculous doings of our friends Davis Aurini and JordanOwen42 — the not-so-dynamic duo who’ve been desperately begging for money to make their Totally Serious documentary about how evil Anita Sarkeesian is. But then I watched this, and it’s too good not to post on its own.

This is Lust in the Time of Heartache, a short “philosophical” film written and produced, and  just posted on teh Interwebs, by Mr. Aurini. I’m pretty sure it’s not supposed to be a comedy, but I was laughing at it from beginning to end.

There’s nothing about this film that’s not terrible and ridiculous, from the choice of fonts in the title sequence to the names of the characters as revealed in the closing credits.

Where even to start in criticizing this mess? The, er, “acting?” The pretentious, pseudo-philosophical voiceover, delivered by Mr. Aurini himself? The shrill, frantic — yet somehow also meandering — music that plays almost continuously from beginning to end? The ludicrously unconvincing fight choreography? The ill-fitting suits? The evo psych? The dawning recognition that this whole thing is meant to depict how Aurini sees himself in our “fallen” world?

The fact that this ten minute film credits a “parkour consultant?”

I’m going to borrow a couple of lines from Pauline Kael’s famous review of the legendarily stinky 1970 film Song of Norway because they offer a pretty fair assessment of this one as well:

The movie is of an unbelievable badness. … You can’t get angry at something this stupefying; it seems to have been made by trolls.

She means “under the bridge”-style trolls, not the modern kind.

Oh, and the sound is awful, too. NOTE: Dialogue is supposed to be louder than the background noises.

Anyway, just watch it. It’s only ten minutes long. And definitely stay for the final credits. You’ll see why.

But hey, don’t take my word for it. Read this glowing review, from some dude on YouTube:

Excellent writing that encompasses the transitions from one cinematic style to the next. At first I was concentrating on the technical problems and lackluster performances, however, after about 5 mins in, the pacing kicked up a notch. Well done, sir.
Well done, indeed!

 

Did Professional Sarkeesian-hater Davis Aurini Commit Felony Wire Fraud? Hell if I know, but he’s definitely an unethical dick.

Davis Aurini, doing his best "Blue Steel" for the camera.

Davis Aurini, doing his best impersonation of a cartoon villain.

On Friday, expat woman-hating woman-chaser Roosh Valizadeh put up a post on his Return of Kings blog with the sensationalized headline Did Anita Sarkeesian Commit Felony Wire Fraud?”

Roosh breathlessly “reported” that

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Thank you, thank you very much! The Third Quarter Pledge Drive is Drawing to a Close

0141 ThankYou-Catthank_you_cat2  thank-you47 61572 cat

The ritual posting of animated cat gifs brings an end to the Third Quarter We Hunted the Mammoth Pledge Drive.

Let me add my voice to the chorus of animated kitties: THANK YOU FOR YOUR DONATIONS, whether they were big or small! They enable me to keep this blog going and to afford shoes for my kitties. Well, not the part about the shoes. I’m not sure why I said that.

In any case, once again I’m humbled that so many of you all think this blog is important enough (or at least entertaining enough) to support with your donations.

And that so many of you contribute your time and your talents to help out as well, whether you’re volunteering as a mod or drawing hilarious pictures or leaving sharp and funny and knowledgeable comments.

If you meant to donate bug haven’t gotten around to it yet, here’s that link again. (And don’t worry that the PalPal page says “Man Boobz.”)

And of course you can donate any time you want using the button in the sidebar.

Some folks have suggested that I set up a Patreon account as well; I will be looking into that.

Thanks again!

Oh, and one more gif. No, I’m not trying to hypnotize you.

tumblr_lpcqflPFZP1qg3321o1_r1_500

Ok, maybe I’m trying to hypnotize you a little.

Better Penis Homes and Gardens

The wrong kind of sexy House

The wrong kind of sexy House

The We Hunted the Mammoth Pledge Drive continues! If you haven’t already, please consider sending some bucks my way. (And don’t worry that the PayPal page says Man Boobz.) Thanks!

While we’re on the subject of creepy dudes and their terrible opinions about vaginas, I feel I would be remiss not to mention the whole “penis home” thing.

What penis home thing, you ask? Well, you may have heard about the recent fall from grace (oy there’s a cliché) of evangelical megachurch pastor Mark Driscoll, under fire for being a tyrannical buttheaded bigot with terrible opinions about women and LGBT folks. With Driscoll also facing accusations of abusive behavior, financial hanky panky, and even plagiarism, his Washington-based Mars Hill evangelical empire has been forced to shut down some of its local franchises.

Ok, you say, that’s sort of interesting, but what does it have to do with penis homes? I specifically asked about penis homes.

All right, penis homes. Some years back, Driscoll outlined what he saw as the proper Christian roles for our penises and vaginas. In a post on an internet message board from 2001 that’s recently been brought to the attention of the wider world, he offered these thoughts on (cis) men and the proper homes for their penises:

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