Category Archives: video
I’m too migrainey to brain properly today, so instead I give you some raver dudes dancing (?) to Yakety Sax. And, no, they weren’t really dancing to Yakety Sax, but I do kind of love the idea of vast fields full of people raving out to old novelty songs.
Today I feel an irresistible urge to post music videos. Above, an awesome interpretation of a rock classic that is sure to get you PUMPED for the weekend.
Below, enjoy the silky voice of Phil Collins.
Don’t worry, it’s not a video BY an MRA. It’s a video ABOUT MRAs. A little cartoon, to be specific, by Scott Benson, who has this to say about it on his Vimeo page:
A quick editorial cartoon about the intersection of self-pity, entitlement, rape, territoriality, misogyny and fear of women. You see it all over the place online in the form of Men’s Rights Activists (of whom there are a few reasonable non-misogynists), Men Going Their Own Way, Pick Up Artists, and dudes touting the “Red Pill”, because The Matrix is a good movie. Look any of these up if you have the stomach for it. These are extreme examples, but watered-down forms of these ideas are everywhere.
In lurking their blogs and youtube channels for a while, I’ve noticed that beyond the standard patriarchal chauvinism there is this deep fear of women – what they will do to me, how they will reject me, how they will use me, how they are changing society in a way that does not favor me, how they are making men into something I don’t like, how they are making themselves into something I don’t like, that they won’t give me what I want, and that they won’t give me what I think is rightfully mine. This goes beyond fear of feminism- this is fear of women at its purest. And that, to quote a puppet, leads to anger and hate. It’s sad.
Naturally, Benson had to close the comments to the video because of, you know, too much MRA.
He wrote more about it all on his Tumblr.
I was alerted to the video by various people, including Cloudiah, which reminds me to remind you all to go look at Cloudiah’s excellent Artistry for Feminism And Kittens blog.
Mike Booth, the guy behind Some Grey Bloke, gave me a great idea for a post (which will be coming soon), so I’m using that as an excuse to post this video of his about the famous Red Pill, which is apparently quite popular outside the manosphere as well as within it. Apparently it comes from an old sci-film from a couple of decades ago called The Matrix?
The manly men at A Voice for Men do love their manly music! You may recall the asskickingly asskicking asskickery of “Go My Own Way,” the A Voice for Men anthem, as performed by Jade Michael and the Fuck Their Shit Up
Singers Crew. And the “red pill honesty” of Slumberwall’s emo-folk (but totally not wussy) meditation“The Hatred of Women.”
Now, in a post with the dopily macho title “The weekend’s here. Swagger, brothers. Swagger,” AVFM contributor Skeptic presents a new video from his band Dark Star Disco.
No, it doesn’t quite match the terrible grandeur of either of the earlier MRA anthems. The music is utterly unexceptional testosterone-heavy rock-tronica that sounds like it just escaped from the nineties. And it’s 15 minutes long. But Skeptic is quite proud of it, nonetheless. As he describes it, in phrases as clichéd as the song itself:
We are sonically in your face – wall of sound — chainsaw wailing guitar, piercing electro synth and pounding rock rhythms.
Skeptic contributes the guitar – sorry, the “chainsaw wailing guitar” – to the sound. He apparently prefers guitars to women, as they don’t talk back:
I strut on guitar and love it. Nowhere do I feel more alive. Swagger.
I’ve been playing guitar for many years – self-taught. Swagger.
My guitars have helped me cathart during times of feminist insanity more times than I can recall. I truly don’t know how I would have made it this far without playing guitar. For my guitar doesn’t make maddening “man up” BS demands and treat me with misandry as a disposable utility.
The video, even less original, consists of pilfered stock footage of an assortment of putatively manly things, starting with, yes, a missile. (Oh, hello, Dr. Freud1) Let’s let Skeptic describe his creation:
It’s chock full of images men can relate to – a guided missile, eagle and cheetah hunting, jet aircraft and a high powered motorcycle at full throttle, runway dance swagger, military teamwork and bravery, high tech playfulness, raw wilderness, cutting edge scientific research, urban spaces constructed and running at full tilt and moving at a blistering pace into a future city of lights. It’s what men do. It’s cram packed with stuff feminists shit their pants over – unapologetic swaggering masculinity.
I dig it. It’s ballsy.
Just so you know, the “runway dance swagger” in question refers not to a fashion model shaking his or her stuff in a runway show, but to some dude doing a little victory dance on an runway for, like , airplanes.
Of course, Skeptic is making some assumptions here. We don’t actually know the gender of all those flying the planes (or driving the cars, or riding the motorcycle like an asshole) in the video. For the sake of argument, let’s just assume they are all male.
But the cheetah? Either Skeptic thinks all cheetahs are boy cheetahs, or he thinks that girl cheetahs sit on their fat asses eating cheetah bon bons and living off of Cheetalimony. In fact, of course, both male and female cheetahs hunt for their food. That ballsy swaggering masculine cheetah in his video may well be a gal.
If there are any stray misogynists reading this post who are unwilling to accept that female cheetahs can hunt, skip ahead to 1:30 in the video below to see one cheetah mom chase down a gazelle just like the cheetah in Skeptic’s video.
Here, a female cheetah faces down three hyenas to protect her cubs.
In other words, female cheetahs are badasses. So are male cheetahs.
Skeptic is just a plain old jackass.
If any of you actually listened to Dark Star Disco’s little masterpiece, or any of the other songs I linked to above, and need to clear your ears of all that manly man stuff, might I suggest “Crochet,” by Kathleen Hanna’s side project Julie Ruin?
I usually listen to my music collection on shuffle, and this old song was one of the first that popped up this morning as I caught up on comments here. Recorded by Jean Shepard in 1954, it’s a charmingly blunt criticism of sexist double standards. The notions she challenges are still, sadly, issues to this day, especially amongst the you-know-who’s-rights-activists and the rest of their pals in the you-know-who-o-sphere. Some of the lyrics:
How come a man can fight and cuss and smoke and drink and chew
Step out on their wives and do the things they shouldn’t do?
But it’s all right in the publics’ eye, they say he’s just a man
But if a woman does one little thing, she’s not worth a …
Two whoops and a holler,
she’s lower than a hound
If she drinks or smokes or tells a joke,
she’s a lowest thing in town
Of course, like a lot of old songs by women in country music that challenge male sexism, Two Whoops and Holler is a product of its time, and doesn’t transcend traditionalist thinking entirely. The song ends up endorsing some double standards of its own: Shepard sings that “the women ought to rule the world ’cause the men ain’t worth a … Two whoops and a holler, they’re lower than a hound.”
In other words, she ends up offering a mirror image of the original sexism — which is exactly the sort of dualistic thinking that double standards lead to in the first place. Don’t tell the MRAs! They’ll start going on about female supremacism or some other nonsense.
I am sensing from the comments to my earlier post today that what everyone really needs right now is videos of adorable animals. So here are my kittens in action (well, awake, anyway).
In this video, Professor Murder, aka Pantz, wakes up her sister; cuteness ensues. Sorry about the poor image quality, but I think the cuteness shines through anyway.
Consider this an Open Cute Thread.
So our blabby friend JohnTheOther has an especially blabby piece up on A Voice for Men at the moment. Its ostensible subject: the pure eeeevil of unnamed anti-MRAs who misrepresent the World’s Greatest 21st Century Human Rights Movement – the Men’s Rights Movement, that is – through the eeevil practice of “quote mining.”
I didn’t read the whole thing. Mr. TheOther is not what you’d call an efficient writer. Here are a few quotes mined from the article more or less at random that I think will give you a good idea of his, um, style:
Biology, or indeed, evolutionary theory is not really the topic of this discussion, rather it is provided here as example of a rhetorical practice increasingly common among opponents of a small but growing human rights movement. …
The developing practice in opposition to human rights, of quote-mining goes beyond pathetic, into the realm of craven, futile depravity. …
However, it seems that no matter how many times it is explained that a thing formed from (bad) ideas – an ideology, and a group of people, identifiable by sex, are two distinct things, gender ideologues continue to conflate them. …
I don’t know if any of this makes any more sense in context, as I didn’t read the context. Let’s continue:
A year ago, I wrote an article focusing on the necessary public repudiation of violence, and the responsibility of open opposition to those who advocated or promoted a climate of acceptable violence, including those who openly advocate murder, such as a group of swedish feminists, and eugenics advocates on the squalid radical-hub. Statements from my original piece were quoted by at least one amoral zombie, and reframed to present my view as one which called for violence.
Of course, the author of those yellow pixels might not have realized that the original article, along with it’s unambiguous opposition to violence was posted on a site with substantially higher traffic than his own. The craven and stupid dishonesty of the quote-miner was apparent to all but a few, blinded by their own ideological goggles.
Oh, wait, I think those last two paragraphs were supposed to be about me. And I think they were supposed to refer to this post of mine, which took a look at a post of his that defended A Voice for Men’s “outing” of a group of Swedish feminists that the AVFM crew had decided, on the basis of a brief video promoting a theatrical production, were “murder advocates.” His post contained the following (unedited) paragraphs.
That’s right manboob, identifying a group of self-declared murder advocates to the public is more important than protecting those murder advocates from the consequences of advocating murder.
In the truth-is-fiction world of Futrelle’s mind, the men’s right advocates calling for public identification of a hate organization have been transmogrified into promoters of violence.
And what if they get killed David? What if rather than be arrested – as promoters of hate, and public advocates of murder, what if these depraved and murderous female supremacists come to harm at the hands of a citizen. If that happens, it will mean that a society’s system of law, designed to prevent hate organizations, and to allow redress of grievance through non violent due process is gone, wiped out by your ideology of violence and hate. That’s what you’re defending, David.
In my post, I quoted the final paragraph; here I have included the two preceding grafs to give it a bit more, what’s that word, context.
Of course, a couple of paragraphs by themselves are still kind of “out of context” I guess. Since I am pretty sure no one would like it if I simply pasted in the entire post from JtO here, I will instead direct you to his original post, here. You may make of it what you wish. I rather doubt that you will see it as a clearheaded treatise of nonviolence. Especially with that line: “And what if they get killed David?” (Which you can read in context above, or, again, in his original post. Let me link to it a sixth time here, just to make sure you know how to find his original words in context. Oops, that’s seven times now)
Interesting that a master debater of Mr. TheOther’s caliber somehow forgot to provide even one link to the controversy he was referring to, so people might be able to see for themselves what had happened, and judge his claims accordingly. I wonder why that might be?
I’ll skip the next bit in Mr. TheOther’s latest post, in which Mr.TheOther suggests that an opponent of his might have taken a quote of his out of context in a way that makes him look racist and homophobic. But since he offers no links to the actual discussion, there’s no way of judging whether this particular quote-mining claim is true. (Perhaps this discussion on the Men’s Rights subreddit could shed some light on it?)
In any case, if we put this particular discussion in a broader, er, context, there is certainly ample evidence of homophobia amongst the A Voice for Men crowd, as I have pointed out here and here. (Protip: If you want to convince people you are not homophobic, you should probably not feature a video mocking “lesbo-bos” in the sidebar of the site you help to run.)
Anyway, this next bit of his definitely has something or other to do with me:
Bottom feeding quote miners indulging in snarky feats of futrelian deceit likely do win rhetorical brownie points, at least when seen through their own ideological goggles. But they are cementing their own a public persona which will wear about as comfortably as klan robes do at a NAACP meeting. The altered landscape this movement is building is not someday, it is now, and it is coming faster all the time.
Uh, dude, my last name has two L’s in it. It should be “Futrellian deceit.” If you’re going to turn my name into a slur, at least spell it correctly.
For individuals in opposition to human rights of men and boys now, whether through lying, repetition of old, false dogmas, or the craven tactic of mis-represented and mis-attributed meaning, the comfort of a formerly one-sided monologue is over. The public squirming we see in attempts to render MRA voices silent or apologetic will escalate before it abates. But that’s okay.
Hey, Mr. TheOther. If you really want to prove my “futrelian” or even my “Futrellian” deceit, how about this: provide specific examples of me taking something you or some other MRA has written out of context in a way that distorts its meaning.
And for anyone who now has the song “Working In the Coal Mine” stuck in their head, here’s the Lee Dorsey original: