Category Archives: a voice for men
Does A Voice for Men really think that firebombing is a form of non-violence?
Reading through some comments on Men’s Rights hub A Voice for Men the other day, I ran across a fairly bloodthirsty contribution from an MRA with the charming nickname Brutal Antipathy, suggesting that the Occupy Wall Street protesters needed a bit of what he called “the ol’ Tienanmen Square treatment.”
Mr. Antipathy’s rhetorical outburst struck me as fairly typical of the tough-guy rhetoric that the site’s regulars love to indulge in — though usually the targets of the rhetoric are feminists, not Occupy Wall Street activists.
So I was a bit surprised to see site founder Paul Elam respond with this:
It seems a little odd for Elam to claim to be shocked — shocked! — to find such rhetoric on his site. Elam, after all, seems to positively revel in making his own vaguely threatening pronouncements towards his ideological enemies.
In a recent fundraising appeal, for example, Elam let out all the stops:
We now have a team of individuals that goes beyond what we advertise on our pages, and we are gearing up to add a new doomsday prophesy to 2012. Let’s put it this way: The fembots better hope the Mayan’s were right about next year, because they would rather deal with that than the things we are cooking up. …
Progress for men will not be gained by debate, reason or typical channels of grievance available to segments of the population that the world actually gives a damn about. The progress we need will only be realized by inflicting enough pain on the agents of hate, in public view, that it literally shocks society out of its current coma.
Elam is purposefully vague about just what he means by “inflicting pain,” but it is hard not to read this comment as a threat of something dire.
Others on the site are similarly fond of this sort of vague, threatening language. MRA blogger Fidelbogen, recently brought on board as a contributor to AVfM, let loose in a recent comment on those who think MRAs should tone down their rhetoric towards feminists and other enemies:
Apparently, Elam believes that the deliberate vagueness of these kinds of threats makes them shining examples of Gandhian non-violence — or at least that it gives the site the requisite “plausible deniability” if — when? — someone actually moves beyond the threats to actual violence.
It’s ok, evidently, to talk about “inflicting pain” on your enemies, so long as you don’t specify just how. It’s ok to boast about frightening your enemies, to muse about “stalking” individual feminists, to post their personal information online, and so on and so on.
Heck, apparently it’s not even a problem if someone, using the personal information provided on the site, actually tracks down individuals targeted by Elam and pals and quite literally kills them. As AVfM managing editor John the Other put it in a recent post (which I wrote about here):
And what if they get killed David? What if rather than be arrested – as promoters of hate, and public advocates of murder, what if these depraved and murderous female supremacists come to harm at the hands of a citizen. If that happens, it will mean that a society’s system of law, designed to prevent hate organizations, and to allow redress of grievance through non violent due process is gone, wiped out by your ideology of violence and hate.
Nonetheless, JtO, like Elam, insists that “I do not and will not lend myself to the support of violence, or indeed, of murder.”
But all this dancing around the issue of violence is rather a moot point, given the one rather striking exception that Elam has allowed to his “no explicit advocacy of violence” rule.
And that is the terrorist manifesto he’s been hosting on his site since last summer.
I’m referring, of course, to the lengthy manifesto written by Tom Ball, a man who burned himself to death on the steps of a courthouse in Keane, New Hampshire last summer in a protest against what he saw as unfair treatment in family court.
Ball has been hailed as a hero in numerous articles on AVfM, and he is mentioned in an “invocation” in the new theme song for AVfM Radio.
The manifesto is posted on AVfM — in its “activism” category.
What sort of “activism” did Ball advocate? Hint: It involves Molotov cocktails, and government buildings.
In his words (emphasis mine):
So boys, we need to start burning down police stations and courthouses. … [T]he dirty deeds are being carried out by our local police, prosecutors and judges. These are the people we pay good money to protect us and our families. And what do we get for our tax money? Collaborators who are no different than the Vichy of France or the Quislings of Norway during the Second World War. All because they go along to get along. They are an embarrassment, the whole lot of them. And they need to be held accountable. So burn them out. …
There is no evidence that the police, courts, or government is planning to do anything different in the immediate future. And they will not do anything different until we make it so uncomfortable that they must change. Bureaucracy at its worst. So burn them out. This is too important to be using that touchy- feeling coaching that is so popular with business these days. You need to flatten them, like Wile E. Coyote. They need to be taught never to replace the rule of law. BURN-THEM-OUT!
Most of the police stations built in New England over the last 20 years are stone or brick. Fortunately, the roofs are still wood. The advantage of fire on the roof is that it is above the sprinklers. But even the sprinklers going off work to our advantage. There is no way they can work in a building with six inches of water. And I am certain we will disrupt their momentum once they start working out of a FEMA
At this point the AVfM editors cut Ball off in mid-sentence, and insert this “Editor’s note”:
Editor’s note:
Several paragraphs in this copy of Mr Ball’s original letter have been omitted. The omitted paragraphs contained detailed instructions on the manufacture and use of simple incendiary devices.
If you are really interested in seeing the omitted sections, you can find the complete manifesto elsewhere in the Mansophere.
Ball was quite serious about all this, and hoped that his self-immolation would inspire other “activists” to “manufacture and use” his favored sort of “simple incendiary devices,” as the AVfM editors gingerly put it. Ball himself was a bit more blunt:
I only managed to get the main door of the Cheshire County Courthouse in Keene, NH. I would appreciate it if some of you boys would finish the job for me. They harmed my children. The place is evil. So take it out. …
And bring a can of spray paint to these fires. Paint the word COLLABORATORS ( two L’s with an S on the end) on the building before you burn it.
Ball frankly acknowledged that if others followed his suggestions, people would die:
There will be some casualties in this war. Some killed, some wounded, some captured. Some of them will be theirs. Some of the casualties will be ours.
How does Ball’s explicit advocacy of terrorist acts directed at government buildings, acts that if carried out would almost inevitably mean the deaths of people within those buildings, square with Elam’s purported no-advocacy-of-violence policy for his website?
You’ll have to ask him. I have no fucking clue.
The All-Singing, All-Dancing Men’s Rights Movement
The Men’s Rights Movement now has a theme song! A couple of talented young men calling themselves Jade Michael and the FTSU Singers Crew have put together a catchy little grunge rock number they call Go My Own Way, which will now serve as the opening music for the A Voice for Men internet radio show.
As AVfM head cheese Paul Elam puts it, straining his prose-generating abilities to the breaking point as he attempts to find words eloquent enough to describe this new musical masterpiece:
Jade Michael, artist, professional musician and MRA, founder of Artistry Against Misandry, has taken his talent hammer and given it a mighty swing to our benefit. He has forged, in the fires of his own passion, the new theme song for AVfM Radio, titled Go My Own Way. It is not to be confused with the similarly titled offering from Fleetwood Mac, Go Your Own Way. No, not in the least. Jade, with his band, Jade Michael and the FTSU Crew, have produced a veritable anthem for the red pill crowd. It is replete with a great, purist rock sound, a touch of humor, attitude, and a ton of gut level, red pill honesty. Pay close attention to the end for the invocation of Thomas James Ball.
Without further ado, here’s the song:
You can find the full lyrics on YouTube and on AVfM. But I thought I’d share a few of my favorite bits.
The song starts off by addressing one of the most savage injustices faced by men today: evil ladies who expect men to hold doors open for them.
And we’re through with holding doors
Entitlements abound
You say that we still hold you down
And you cop that attitude
No remorse or gratitude
Seriously, ladies, would it hurt you to say “thank you” once in a while, to the men who literally enable you to walk through walls, by holding open the doors you would otherwise be unable to open? To paraphrase Barbie: Doors are hard!
Then there’s this bit:
You’re obsessed with my ability
I won’t be your utility
I’ll never carry you
And I sure won’t marry you
Women around the world, consider what you’re losing here: no longer can you expect to marry guys who hate you so much they made a song about how they won’t hold doors open for you!
And let’s not forget:
Cos’ the time has come to fuck your shit up
The time has come to fuck your shit up
The time has come to fuck your shit up
Perhaps I’m missing some of the subtleties here, but this sort of suggests to me that Jade and the Gang are not so much Men Going Their Own Way as they are Men Still Hanging Around Acting Like Assholes — not MGTOW but MSHAALA.
I appreciate the efforts of Jade Michael and the MSHAALA, but I can’t really help but think of this little song-and-dance number, from the excellent Belgian horror film Calviare (The Ordeal), as the Men’s Rights movement’s unofficial anthem.
In case you’re wondering, this scene makes a little bit more sense in the context of the movie itself. A little bit. It’s actually quite a brilliant little film with some interesting gender stuff going on in it, if you can deal with fairly violent horror films. But, oh my lord, TRIGGER WARNINGS for pretty much every trigger there is.
NOTE: In case you’re wondering about the song’s reference to Thomas Ball: Ball burned himself to death outside a courthouse in Keane, New Hampshire last year in a protest against what he saw as unfair treatment in family court. He hoped that his suicide would inspire other men to start firebombing courthouses and police stations. (This wasn’t mere rhetoric; in the lengthy manifesto he left behind he provided tips on how to make effective Molotov cocktails.) Naturally, many in the MRM have hailed him as a martyr for Men’s Rights.










